Showing posts with label urbansketchers. Show all posts
Showing posts with label urbansketchers. Show all posts

June 14, 2011

Lisbon exhibition, 8th of July, mark your calenders.

Km350

 I've a coming up exhibition in Lisbon at the Paula Cabral Art Gallery. There will be a painter from South Africa, Adrienne Silva and another painter, Jirina Nebesarova from the Czech Republic.
This was the opportunity I was waiting for to start a series about the road leading to Atar (or anywhere else in this desert country that only has four tarmac roads, the one to Atar, North East, the one to Rosso and to the frontier od Senegal that runs South, the "route de l'espoir" the longest with more than 1200 Km towards the East and the Malian border and the most recent the road that was finished in 2005 and that runs from the Northern frontier (Western Sahara) to the South and like all of them has its converging point in Nouakchott the capital - another tarmac road is being built that runs along the river Senegal)
  Mobile antennes just like the roads are opening the country to the rest of the world and vice versa.
 They both allow for more mobility and communication making people less vulnerable. 
In a country as big as Mauritania with a very small population just over 3 million, news about events would arrive always with delay, days, weeks, months? Always making people feel detached of what was happening in the rest of the country. The same for news from relatives or friends living in another area.

Km 75

 For me the most amazing thing about the desert is its immensity and how it makes us conscious of our utter insignificance. 
 This series show the desert seen from the tarmac road that links Nouakchott to Atar, 409 Km.
 The point of view never changes and the places are always deserted of people.
 The sizes are small 20 X 20 cm and 30 X 20 cm worked as diptychs. (since I've been living here the size of my work has adjusted to my means of transporting them, Big if they can be rolled , small if not
I want to have music playing on head phones during the exhibition and while looking for Mauritanian music in the net I came across this great blog about Sahel and desert musique where you can even download it and got in touch with Chris that hopefully will help me in choosing local musique that best will convey the greatness of this country that can seem so empty and repetitive to those who cross it in a hurry. 
 If you're in Lisbon please come and visit the exhibition it will be on until the 6th of August. I'm also participating at the second urbansketchers symposium in Lisbon the 21-23rd July registration is open until the 4th of July.

April 05, 2010

urban sketching symposium

click on the image to be taken to the symposium blog where you'll find plenty of information. As you can see I will be leaving the the tranquility and the heat of the Sahara to travel to the New World... what will I be sketching? 

March 23, 2010

sketching symposium in Portland, Oregon

***Press Release****



[March 22, 2010]

Urban Sketching Symposium promises to be a big draw

The city of Portland, Oregon, becomes the canvas for drawing enthusiasts from around the world this summer as Pacific Northwest College of Art (PNCA) and Urban Sketchers (USK), a nonprofit dedicated to fostering the art of on-location drawing, host the 1st International Urban Sketching Symposium.

This unique Symposium will feature a blend of lectures, panels, exhibits and sketch outings led by a dozen of instructors, including, among others, renown author of architectural drawing books Frank Ching, Professor Emeritus at the University of Washington, Tia Boon Sim, an architect and design educator at Temasek Polytechnic in Singapore; Simonetta Capecchi, curator of “In Viaggio Col Taccuino” sketchbook exhibits in Naples; Gabriel Campanario, a staff artist at The Seattle Times and founder of Urban Sketchers; Veronica Lawlor, an illustrator and teacher at NYC’s Parsons School of Design, Pratt Institute and the Dalvero Academy; and Lapin, a French illustrator based in Barcelona.

Guided by the symposium's presenters and instructors, participants will take to the streets of pedestrian-friendly Portland to sharpen their drawing skills and get one-on-one feedback. “Drawing is often a solitary endeavour,” says Campanario, “but I find that the energy and inspiration you get from sketching with others goes a long way when you are trying to develop as an artist.” The three-day event (July 29-31) is perfect for illustrators, architects, designers and other professionals who use freehand drawing as a communication tool. Symposium participation is open to everyone with an interest in drawing the urban environment on location.

Sketching sites include Portland's renowned Chinese, Japanese and Rose Gardens, the scenic waterfront and bustling city center of downtown Portland, as well as the vibrant cultural district in Oldtown and the Pearl District, where PNCA is located. Field groups focus on specific techniques —pencil, ink, watercolor— and subject matter —sketching people in movement, architecture. Expect to draw the boating activity along the Willamette River with interesting drawbridges as a backdrop, eclectic downtown architecture, public gardens and fountains, theater performances and Portland's wonderful indoor and outdoor night-life scenes.

Lectures will cover all aspects of sketching. Instructors will share first hand advice about drawing in public, tools, materials, techniques and composition, as well as how to share artwork on the web or get it published. An exhibit of sketchbooks and other original work by presenters will be on display at PNCA during the Symposium.

Participants are encouraged to register early due to limited availability. To register, check PNCA’s website.

Contacts:

Gabriel Campanario
Urban Sketchers
Executive Director
gabicampanario at gmail dot com
or 425.686.2398

Patrick Forster
Pacific Northwest College of Art
Director of Continuing Education
pforster at pnca edu
or 503.821.7864

More details at Urbansketchers

December 23, 2009

give a little get a sketch



mitmarveg

MINI CAMPAIGN: GIVE A LITTLE, GET A SKETCH


Receive a high resolution jpeg of this sketch or another
one of your choosing from our
Holiday 2009 fundraiser digital set
when you make a donation to the Urban Sketchers 
nonprofit before Jan. 3, 2010.


We are aiming to raise $300 to cover tax-exempt
application filing fees,which go up to $400 
after January 3rd. With your contribution you will be
helping urban sketchers around the world fulfill 
our mission to show the world 
one drawing at a time.


>To make a donation go to our site and click the
 "Support Urban Sketchers" red button on the left sidebar.


***Disclaimer: By accepting the sketch with your donation 
you agree not to make any commercial use of the artwork.
 The sketch is for personal use only
 (i.e. making a print to display in your home.) 
The artist retains all copyright associated with the sketch.***
go to:

December 17, 2009

urbansketchers non profit organisation

Dec. 15, 2009 — Urban Sketchers, a group blog with the motto "see the world, one drawing at a time," is now officially a nonprofit organization.

Since launching in late 2008, the Urban Sketchers blog and sister flickr group have become popular online outlets for people to share their location drawings. Thousands visit daily for inspiration or to travel vicariously through the visual dispatches from hundreds of contributors on six continents. The blog and its artists have been featured in magazines (MyMidwest, Anima(ls) and The Artist's Magazine) and newspapers (Público in Portugal, La Repubblica in Italy and The Bangkok Post in Thailand).

Now the Urban Sketchers nonprofit organization aims to serve this global community better by organizing educational workshops and raising funds for grants, scholarships and publications to foster the art of on-location drawing.

Gabriel Campanario, a Seattle-based journalist who founded Urban Sketchers, said the nonprofit's goal is to raise the artistic, educational and storytelling value of location drawing.

"Through fundraising and donations, we want to support artists around the world who document life in their communities. Everyone can feel enriched by the work urban sketchers do because drawing is a universal language," Campanario said.

The idea of sketching wherever we are has caught like wildfire, explains board member Cathy Johnson, a watercolorist from Kansas City. "The Web makes it possible to share our drawings and the unique characteristics of our area. Urban Sketchers brings it home," she said.

That sense of community has spread quickly across borders, helping the new organization attract a membership base in more than 50 countries in its first year.

"To connect through drawing on a global scale is exciting and a privilege that few have," said board member Veronica Lawlor, an illustrator from New York City. "Our organization strives to extend that privilege to others."

The organization also announces its new logo today. It was created by Italian graphic designer Franco Lancio in collaboration with Simo Capecchi, board member and Naples correspondent.

"The logo shows a sketchbook with random windows to watch through. They are a symbol of the mess of a city and the sketchers' different points of view," Capecchi said.

The organization's newly formed board reflects the global nature of the Urban Sketchers community:

Tia Boon Sim is an architect turned educator at Temasek Design School, Singapore. Besides her passion for location drawing, she creates objects with clay and fires them in a wood kiln. In 2003, she earned the Pratt Circle Award for Outstanding Academic Achievement during her two-year study with Pratt Institute in New York.
Matthew Brehm (Secretary) is an Assistant Professor of Architecture at the University of Idaho. Each summer, he leads an eight-week architecture program in Rome, Italy, with an emphasis on location drawing. His sketches have won awards on two occasions at the Design Communication Association's Biannual Juried Drawing Exhibit.
Gabriel Campanario (Chairman) is a Spanish-born journalist and illustrator living in the U.S. Since the early '90s, he has worked for newspapers on both sides of the Atlantic, including La Vanguardia in Barcelona, Diario de Noticias in Lisbon and USA Today in the Washington DC area. He currently works as a news artist for the Seattle Times, where he publishes the blog and weekly feature Seattle Sketcher.
Marc Taro Holmes is a concept artist, art director and illustrator based in the San Francisco Bay Area. He has worked in the entertainment industry since 1995 on projects such as Bioware/EA's Neverwinter Nights and Turbine Entertainment's Lord of the RingsOnline.
Kumi Matsukawa is a Japanese illustrator with a background in advertising. She has been drawing story boards for TV commercials since 1994. In 2001 she started to instruct pastel and watercolor classes in her neighborhood.
Simonetta Capecchi (Vice Chair) is an Italian architect and illustrator based in Naples. Since 2006, she has curated the annual exhibit on travel sketchbooks, In viaggio col taccuino. Her sketchbooks have been included in many exibitions and collective books.
Jason Das is a multidisciplinary artist, activist, idealist and information wrangler based in Brooklyn, New York.
Ea Ejersbo is an artist and printmaker based in Århus, Denmark. She works for Gøglerskolen School of Street Circus as a project and management secretary.
Julien Fassel, aka Lapin, is a French illustrator working in fashion, magazines and advertising. He sketches every day in his notebooks, using this endless archive as the elements of his illustrations.
Isabel Fiadeiro is Portuguese painter and gallery/shop owner. She has been living in Mauritania since 2004 and sketching nonstop. From time to time, she spends up to a month in a remote village sketching and sharing the everyday life with its residents.
Enrique Flores is a prolific Spanish illustrator based in Madrid. When he is not working for publishing companies or contributing illustrations for the Spanish newspaper El País, he enjoys travelling and sketching. "India" and "Cuba" are two of his published books.
Nina Johansson is a Swedish art, design and computer graphics teacher, who spends most of her free time drawing around Stockholm. She went from doodling-on-whatever to filling sketchbooks in 2005, and now the bookshelves in her home have less and less room for novels.
Cathy Johnson is an artist and writer based in the Kansas City area. A lifelong sketcher, she has written and illustrated more than 30 books and was a contributing editor for Country Living, The Artist’s Magazine and Watercolor Artist.
Stuart Kerr is a Scottish illustrator and designer. He is involved with a diverse range of projects from British heritage exhibition work to illustrations for Japanese publications. Stuart also teaches part-time at the Glasgow School of Art and is currently based in Edinburgh.
Veronica Lawlor (Treasurer) is an illustrator and president of Studio1482, an illustration collective in New York City. She teaches drawing and illustration at Parsons School of Design, Pratt Institute and Dalvero Academy. Lawlor has created reportage illustrations for numerous clients, including 3M, Brooks Brothers and the Hyatt hotels. Her on-site drawings of the September 11th attacks on NYC are part of the Newseum, the museum of journalism in Washington DC.
Shiho Nakaza is an illustrator based in Los Angeles and a board member of the Society of Illustrators in Los Angeles.
Patrick Vilain is a senior visual designer working for the software industry in the San Francisco Bay Area. He has been travelling and sketching for 20 years.
Eduardo Salavisa is an illustrator and teacher based in Lisboa, Portugal. He is the author of "Diàrios de Viagem" and a curator of exhibits and workshops on sketchbooks. His web site, "Diario Grafico," is an archive dedicated to sketchbooks from the past to nowadays.
Samantha Zaza is an art teacher, illustrator and trapeze artist based in Istanbul.